Polaroid Impulse 600 Review, How-To and Tips for Getting a Good Polaroid plus Sample Photos!

This post contains affiliate links and I will be compensated if you make a purchase after clicking through my links. 

I have SO MANY vintage Polaroid 600 cameras. I’m not really sure how it happened, but I’m running out of space to store them! I’ve thought about selling a few but I’m so obsessed with the way they each look that I couldn’t bear to give them away. Polaroid cameras have such a retro look to them and it’s rare that I stumble across one that’s actually broken. They hold up really well and seemingly last forever if you take decent care of them. The Polaroid Impulse that I have actually belonged to my dad. He used it to photograph building sites back in the 80s and 90s for his construction company. It’s strange to think that they actually documented projects that way, but I guess when you don’t have a cell phone or digital camera, you aren’t left with many options! Make sure to scroll to the bottom of the post to see some sample photos I’ve taken with the Polaroid Impulse! I’ve also written a blog post about the Polaroid One-Step, a very similar vintage Polaroid 600 camera.

The Polaroid Impulse was originally produced in 1988. It’s extremely basic and easy to use. It takes 600 film, which you can buy on Polaroid.com now. It’s a long story, but for a few years, Polaroid film actually ceased to exist. Then, a company called The Impossible Project came along and began re-making instant film to fit in the old 600 Polaroid cameras. Eventually, they changed their name to Polaroid Originals, and then finally got the rights to the actual Polaroid name!

The Impulse only has a few adjustable settings so it’s practically a point-and-shoot camera. There is definitely no need to be intimidated by this type of 600 camera. On the front of the camera, there is a light/dark slider that is just for adjusting how bright or dark you’d like your film to be. I typically have mine set slightly to the right for a darker image. I tend to shoot mostly in bright sunlight and I don’t want my images too blown out. The hollow triangle represents a “lighten” setting, while the filled-in triangle represents the “darken” setting.

To turn on the camera, there is a pop-up flash on the top right side. You simply push the flash down and it will pop up, open the shutter, and turn on the light next to the shutter button on the back. If the light is red, the camera is not quite ready to take a photo. If it’s green, you’re ready to shoot!

The only other setting is a distance slider located on the top left of the camera. Your options are 2-4 ft or 4 ft to infinity. The camera automatically is set to the 4ft to infinity setting, but if you’re planning on taking a closer image of your subject, you can use your finger to slide the lever to the left for the 2-4 ft option. You actually have to hold your finger there the whole time or it will snap back to the 4 ft to infinity setting. Or maybe that’s just my camera and the button doesn’t stay. You never know with these old cameras!

The Polaroid Impulse is fully autofocus which makes it super easy to travel with. You don’t have to spend your time focusing on your subject. You just pop up the flash and take your photo!

To load the film, there is a sliding lever on the front right side of the camera. You slide it forward and the mouth of the camera will drop down. If there is film already in the camera, you remove it by pulling the tab and sliding it out. So easy! Then, to add a new pack of film, you just make sure the pack goes in with the tab facing out and on the bottom. Once you close the mouth of the camera back up, a cover with automatically come out of the camera. This cover was protecting your images from light and now the film is correctly loaded and your camera is ready to use!

A FEW TIPS FOR SHOOTING WITH POLAROID CAMERAS

  1. As soon as you take your image, flip the camera upside down so your polaroid is not exposed to direct sunlight. Polaroids are extremely sensitive while they’re developing. As soon as the Polaroid has fully ejected from the camera, use your fingers to carefully grip the edges. DO NOT touch the actual photo while it is developing or you will end up with fingerprints on it! Sometimes the fingerprints can be fun and add a certain aesthetic, but if that’s not what you’re going for, just grip the edges and carefully put the Polaroid somewhere safe.

  2. Keep the Polaroid decently warm while it’s developing. I’ve learned the hard way that in extremely cold weather, a Polaroid will not develop correctly. Now, I just automatically slide the Polaroid into my pocket to develop if it’s not at least 70 degrees outside. If it’s over 75 or 80 degrees, I’ll put the Polaroid in a dark bag to develop because then I know I won’t squish it or bend it if I sit down.

  3. Don’t shoot in extremely dark environments unless you have studio lights or additional fill light. Even in a decently lit house and the flash going off on the camera, it’s still not enough light to get a bright polaroid of your subject if they are more than a few feet away. I typically use a ring light in my studio to light my subject if I’m shooting polaroids. This tends to provide enough light to get a lovely Polaroid portrait!

  4. Hold the camera as still as possible while taking the photo. It’s easy to want to rush to flip the camera upside down so that your Polaroid isn’t exposed to the sunlight if you’re outdoors. But just make sure to be patient and do your best to not shake the camera while pressing the shutter button. If the camera doesn’t have enough light, you’ll notice the shutter is slower. I’ve experienced this if I’m shooting close to sunset and the light is falling from the sky. The shutter will be a bit slower and sometimes my subject will appear blurry. But it’s a fun way to capture beautiful colors in the sky!

  5. Make sure your film is at least room temperature when shooting. Personally, I store my film in the refrigerator so that it lasts longer. I always make sure to let the film warm up before putting it in my camera and shooting. Again, this film is so sensitive to light and temperature changes!

  6. Try not to stand too far away from your subject if you’re creating portraits. I’ve noticed that it’s better to be within at least within 8 feet of your subject so that the on-camera flash can reach them. If you’re further than that, your subject may appear too dark in your image. If you’re outside in bright light though, this probably won’t matter. But if your subject is in the shade, you’ll definitely want that flash to reach them.

  7. HAVE FUN! Polaroids are perfect for party vibes, family portraits, candid moments, album covers, travel memories, and artsy photo shoots. I always take a few polaroids at every photo shoot because I like to collect them! It’s a great way to remember all of the shoots I’ve done and they’re perfect for scrapbooking, journaling and hanging on the wall. It’s just nice to have a physical print from a shoot afterwards and everyone loves sharing them on social media.

FINAL THOUGHTS

Try not to get too stressed out if you take a few polaroids that don’t turn out. It takes some getting used to, but once you get the hang of it, Polaroids are a great way to impress the photography community because some people just don’t have the patience to learn the quirks of these vintage cameras. Yes, they can be frustrating in some ways, but they are also incredibly straightforward in other ways. It’s taken me years to feel like I’ve fully figured out the best way to get a good Polaroid, and even now, I’ll take one that doesn’t turn out the way I’d hoped. Mostly, it’s when the weather outside isn’t cooperating temperature-wise. I’ve photographed a few weddings outside in winter temperatures and the Polaroids have a slightly dark and blue cast to them. That’s why it’s so important to use your body heat from your pockets to keep them warm while developing. But make sure not to put the developing part of the image directly against your skin or you will get oil on the polaroid that will affect the development process. That’s why a pocket is best! It takes about 10-15 minutes for them to fully develop, so after that you can store them in whatever temperature you’d like because they won’t be changing after that point. My absolute favorite 600 film to shoot with is the round frame 600 film. There’s just something so nostalgic and calming about the round Polaroids. It’s almost like they’ve already been framed and are ready for an art gallery.

WHERE TO BUY THE POLAROID IMPULSE CAMERA

Amazon

KEH Camera

eBay

WHERE TO BUY POLAROID 600 FILM

Polaroid.com

Amazon

WHERE TO BUY POLAROID 600 ROUND FRAME FILM

Polaroid.com

If you prefer to buy a NEW Polaroid-style camera (as opposed to vintage), Polaroid.com has the Polaroid I-2, the Polaroid Now+, and the Polaroid Go cameras. They are all super cute and it’s definitely on my list to pick up one of these soon. I just have to decide which one!!!

If you found this post helpful or if you’d like to see more of my work, I’d love it if you considered signing up for my Patreon! For as little as $1 a month, you’ll get early access to all of my YouTube videos, plus tons of photos that I don’t post anywhere else. Depending on which tier you choose, you could also receive seasonal prints and/or discounts! I always use all of the proceeds towards cameras, film & processing. Find out more here!

If you have any questions, I’m always happy to help! You can contact me here, or leave a comment below! Thanks so much for stopping by! You can also check out my Amazon storefront for more camera/film recommendations. :) Have a magical day!

<3 Myles Katherine

Minolta Hi-Matic AF2 35 mm Film Camera Review with Example Photos in Nazaré, Portugal | The Perfect Point-and-Shoot Camera for Traveling

(By using the links and/or codes below it supports Myles Katherine Photography. We may get a small kick back by you doing so.)

Before my trip to Portugal, I pulled together all of the cameras in my house (I think I’m getting close to 100 cameras in my collection now!) and dug through them to find a camera I hadn’t used yet. I always like to take at least one camera on my trips that is a bit of a mystery, just to challenge myself and to get inspired. It’s so exciting to send my film off for processing when I get home, but its especially exciting when it’s a camera I’ve never used before. As I was digging through my boxes of cameras, I came across the Minolta Hi-Matic AF2 and noticed that it had a 2.8 lens on it. I was immediately interested. Any lens with an aperture of 2.8 or wider is a camera I’m interested in.

However, right away I noticed that it wasn’t working. I opened the battery compartment only to find some serious corrosion. I spent the day with a pile of q-tips and rubbing alcohol, scraping off as much corrosion as possible. Eventually, I began to hear the camera make high-pitched sounds when I put some fresh batteries in and I knew I was getting somewhere. The shutter still wasn’t working but for some reason, whenever I flipped the camera upside down, the shutter would go off. I still don’t know why that worked, but the more I clicked the shutter release button, the more it started firing. Finally, I felt convinced that it was working enough to trust it with a roll of film.

I was still super nervous the whole time I was shooting with it in Portugal because I didn’t have time to run through a test roll before my trip. But the shutter seemed quick enough to know that I was at least getting something. I was pleasantly surprised when I got my film back from the lab in the mail. My photos had turned out! I still have some learning to do with this camera, and unfortunately, I haven’t been able to get the flash to work still. I think it might be a bit of a lost cause. But I’m just thrilled that my photos turned out at all! And I truly enjoyed using it throughout the trip. I wanted to share a few of the reasons why I love this camera so far and then share all of my favorite photos from Portugal! I also just posted a video about the Minolta Hi-Matic AF2 on my YouTube channel so make sure to check it out and subscribe to see more of our Portugal adventures!

5 REASONS WHY THE MINOLTA HI-MATIC AF2 IS A PERFECT TRAVEL CAMERA

  1. It’s a Point-and-Shoot Camera

    You can’t really get more convenient than a point-and-shoot camera for traveling. They are quick and easy with little to no learning curve. Anyone can use this camera. If you’re a beginner film photographer, this camera is absolutely perfect for you.

  2. It has a 38mm Lens

    In my opinion, a lens that’s anywhere from 24-40mm is a great length for travel photography. You’re able to get wide shots of buildings and architecture, but you could also get a little closer in for a portrait.

  3. It’s Compact and Basic

    Since the lens is a fixed length, it doesn’t take up a ton of space in your bag like a camera with a detachable lens would. It’s super sturdy with no extra parts or awkward accessories. And since it includes a flash, you don’t need to add one of those on either. I’m super sad my flash doesn’t work, but maybe I’ll come across a Hi-Matic AF2 with a working flash one of these days. :)

  4. It’s Fully AutoFocus

    When I’m traveling, it’s hard to work with manual focus film cameras. Sometimes I just don’t have the time to stand there and try to get the focus perfected. My family members are rushing me along, impatient with all of my picture-taking. Or I’m trying to get a photo of a bicyclist or moving subject while they aren’t paying attention. AutoFocus cameras like the Hi-Matic AF2 make street photography so much easier. And especially since it’s relatively small, it’s pretty inconspicuous and makes it easier to get away with taking pictures of strangers.

  5. It Takes 35mm Film

    The great thing about 35mm film cameras is that it’s easy to find 35mm film in almost every city. Sometimes, when I’m shooting with my 120 cameras, I’ll run out of film and have a hard time finding a camera store that carries 120 film. But 35mm is a pretty universal film format. I’ve never had trouble finding extra 35mm film on my trips.

As you can tell, I’m loving the camera so far. I’m a little bummed because I had the ISO setting on 400 instead of 200 for one of my film rolls, so the images turned out a little grainier than I’d hoped. But the film stock I used, Harman Phoenix 200, is also known for it’s grainy and high-contrast look, so maybe it’s just a combo of the film stock and ISO setting that I’m not used to. But I know a lot of film photographers actually aim for that sort of look so I guess it just depends on the person! I usually tend to like my photos a little less grainy and more sharp. But to each their own!

Here are a few film brands I recommend using for 35mm film cameras. Or you can check out my blog post, The Best Color Film for 35 mm Cameras. You can also check out my Amazon storefront for more camera/film recommendations. :)

35MM FILM RECOMMENDATIONS:

Kodak Gold 200

Lomography Color 400

Lomography Color 100

Kodak Portra 160

Kodak Portra 400

Kodak Colorplus 200


WHERE TO BUY THE MINOLTA HI-MATIC AF2:

Amazon

KEH Camera


FILM I USED FOR THE SAMPLE PHOTOS:

Kodak UltraMax 400 35mm film:

Amazon

Adorama

Harman Phoenix 200 35mm film:

Amazon

Adorama

If you enjoyed reading this post and would like to support my work, check out my Patreon and get early access to my YouTube videos, plus seasonal prints and other fun gifts!

And of course, I wanted to share all of my favorite photos from our Portugal trip using the Minolta Hi-Matic AF2!

Thanks so much for stopping by! Have a lovely day!

<3 Myles Katherine


(click to enlarge)




Kodak Gold 200 35mm Review with Sample Photos | My Favorite 35 mm Film to Use with a LomoApparat

(By using the links and/or codes below it supports Myles Katherine Photography. We may get a small kick back by you doing so.)

Kodak Gold 200 has been growing on me. I used to prefer more cool-toned film, but lately I’ve been craving warmth, sunshine and summertime. I always make sure to take Kodak Gold 200 with me now on any beach/island vacation. It just has that magical sunshine glow that makes everything look like golden hour. It’s also super duper affordable! Lately, it’s actually one of the cheapest films you can buy! It’s kind of amazing because I find it to be super sharp and reliable too. Any time that a friend or family member asks me what film stock I recommend, I always include Kodak Gold in my list. It’s a great film for beginners too because it’s surprisingly forgiving and automatically creates that warm Hollywood vibe to give photos a cinematic feel.

I wanted to share a few samples photos so you can get an idea of what to expect with this film. For these photos, I used a LomoApparat 35 mm film camera and I find it to be the perfect combination. The LomoApparat is a ridiculously fun camera by Lomography that has tons of filters and options for making your photos creative and unique. It’s not the sharpest camera in the land though, so combining it with a faster film like Kodak Gold 200 gives your photos a bit more clarity. I have a YouTube video about the LomoApparat here! Also, keep in mind that your film lab can have a huge impact on how your final results turn out. Oftentimes, you can work with your lab to make sure you get scans that you love. You can tell them whether you want more warmth or less warmth. How you want the blues to look. Whether you want the shadows lifted. I scan all of my own film with an Epson V750 so I have a lot of control over my images. I typically try to do a pretty straight scan first though, and then I’ll adjust color tones in post-processing. I find that this gives me the most control. Plus, I know I’ve saved thousands of dollars in the long run by scanning my own film. I just ask my lab to “process only” and they mail me the negatives. I cut them and scan them myself, then store them away in film storage binders labeled by year. I definitely have a system down at this point and it gives my OCD brain so much satisfaction.

Luckily, because it’s so affordable, it’s not a huge risk to just try it out! You can pick up Kodak Gold in 35 mm or 120 formats. You can also check out my blog posts about my Top 5 Favorite 35 mm Color Films or 5 Unique Films to Try to Make Your Photos More Interesting if you’re looking for other fun film options to try out. :) Or you can stop by my Amazon storefront for more camera/film recommendations. :)

Thanks so much for stopping by! Feel free to leave any questions/comments below!

<3 Myles Katherine

WHERE TO BUY

Kodak Gold 200 35mm Film

Amazon

Adorama

Kodak Gold 200 120 Film

Adorama

(By using the links and/or codes in this post it supports Myles Katherine Photography. We may get a small kick back by you doing so.)

(click images to enlarge)