Canon EOS R Review by a Professional Photographer | Is it Worth the Cost? | Canon EOS R vs. Canon 6D vs. Canon 5D Mark IV

Is the Canon EOS R Worth the Cost?

Canon EOS R Real World Review by a Professional Photographer

Canon EOS R vs. Canon 6D vs. Canon 5D Mark IV

(This post contains affiliate links and I will be compensated if you make a purchase after clicking through my links.)

I’ve been shooting with the Canon EOS R for about 4 years now and I figured it was about time to share my thoughts! When I originally bought the EOS R, I was thinking it would become my #1 camera, replacing my Canon 6D and 5D Mark II. While yes, it is better than both of these cameras and was my number one camera for about a year and a half, I wanted to share why I eventually ended up getting a Canon 5D Mark IV as my main camera and now use the EOS R as my secondary camera. BUT, don’t get me wrong! The Canon EOS R is an incredible camera and has all of the potential to be a major money-maker for your photography business. I originally purchased mine for $1799 for the body only. You can currently buy an amazing EOS R kit with a 24-105mm lens on Amazon for around $2300, which is not a bad deal at all for such a pro camera! At a photo shoot, I’m typically carrying my Canon 5D Mark IV with my 24-70mm f/2.8L lens and then my Canon EOS R with a 50mm f/1.2L lens. That’s my go-to camera set-up these days and it has been working very well for me for the last few years. It’s hard for me to imagine changing it up because it truly is a great set-up and covers every lighting and photography situation I’ve found myself in. I photograph everything from weddings to food to fashion to corporate events to portrait shoots, and this camera set-up has managed it all gracefully.

(Canon EOS R with Canon 50mm f/1.2 L Lens - click to enlarge images)

Canon has a huge line of mirrorless cameras now, but today I’m going to be focusing on the EOS R specifically because that’s what I personally have a LOT of experience with. Plus, it was their very first full-frame mirrorless camera so it set the standard for the brand. I’ll share some sample photos as well so you can get a good idea of the kinds of photos that this camera is capable of. Keep in mind though that the lens you use also plays a HUGE role in the photos you’ll get. I always recommend L series lenses, or the newer line of Canon RF lenses that are supposed to be incredible. The RF lenses are quite pricey though, but I’ve heard they are absolutely amazing. I’m all about a budget though and the L series lenses have served me well over the years.

So, I’ll talk about the pros and cons of the Canon EOS R and then share a comparison between the Canon EOS R, Canon 6D and the Canon 5D Mark IV.

PROS OF THE CANON EOS R

I think my absolute favorite feature of the EOS R is how sharp the photos are. It has a 30.3 megapixel full-frame sensor so your images are large and dynamic. I’ve used a variety of lenses on my EOS R, but I find it to work best with the Canon 50mm 1.2L lens. For a while, I tried it out with my 24-70mm f/2.8 zoom lens, but it never felt quite right. In order to use EF-mount lenses on a Canon RF Mount (which is what the Canon mirrorless cameras use), you have to use a lens adapter. It’s not really that big of a deal, but with zoom lenses, it can be common to experience distortion, even without a lens adapter. I did notice the distortion quite a bit when using the 24-70 lens with the EOS R since the adapter just adds more length to the lens, so I started using my 50mm lens with the EOS R. You’ll see in some of the sample photos that you almost get a sort of fisheye effect when shooting fully wide. It’s not necessarily a bad thing, but I just don’t find it quite as flattering when doing up-close portraits. With the 50mm f/1.2L lens though, I immediately noticed how beautiful portraits were with this set-up and haven’t been able to go back since! Canon is known for it’s softer and more natural-looking images than some of the other main camera brands. I’ve noticed that the Canon mirrorless cameras tend to produce images that have more of a digital look to them, which I’m not the biggest fan of. This was another reason I didn’t really like the look of the images when using my 24-70mm zoom lens with the EOS R. They looked a bit too sharp and digital and commercial for my taste. BUT. With the dreaminess and softness of the 50mm L lens, I found it to be a perfect combo. The “digital” look disappears and you get that beautiful portrait look, but with just a tad more sharpness than the non-mirrorless DSLRs. I absolutely love using this set-up for food photography as well. And at a wedding, I’ll typically use it for those moments when I’m alone with the couple to get those dreamy wedding portraits.

(Canon EOS R with Canon 24-70mm f/2.8L Lens - click to enlarge images)

Another pro of the EOS R is the ability to personalize the camera to your individual tastes. The EOS R is much more customizable than cameras like the Canon 6D and Canon 5D Mark IV. Because it’s a much more digitized experience, you can set many of the buttons and sliders to your liking. It even has a multi-function bar you can set to pretty much any feature you’d like. Whether you prefer to change the ISO, white balance or exposure compensation consistently when shooting, you can set it up to make those settings more easily accessible for yourself. This enables you to shoot faster and avoid flipping through the setting screens constantly. I personally have ISO set up on the multi-function bar because I end up changing the ISO a lot, especially at weddings because I’m constantly switching lighting conditions.

(Canon EOS R with Canon 50mm f/1.2L Lens - click to enlarge images)

It also has a touch-screen, high quality video features (4K at 30fps and 1080 at 60fps) and fun features like Wi-Fi and Bluetooth connectivity options. It also is quite sturdy, though I wasn’t sure if it was going to hold up when I first got it in the mail. It seemed fragile when I first started using it. But when I dropped it hard on a concrete floor with my 50mm L lens and everything seemed to be still functioning perfectly, I changed my mind on that one. :)


CONS OF THE CANON EOS R

As a zoom lens girlie, the EOS R didn’t quite cut it as becoming my main camera, unfortunately, The distortion and “digital” look I was getting when pairing it with my Canon 24-70mm L lens made me start considering other options. A zoom lens will always be my main lens, it’s just who I am! This fact has caused the EOS R to come into second place in my camera set-up.

I also ended up running into a few glitches when it came to the touch-screen and customizable settings. While it’s great that you can set the buttons and multi-function bar to your liking, I also found the camera to be a bit non-intuitive. What I mean by that is that I never felt quite comfortable using it in high-stress situations like a wedding. I found myself fumbling through the buttons and constantly hitting the wrong settings on the touch-screen with my nose because I’m used to looking through viewfinders. The touchscreen is very sensitive, even when I set it to the “less sensitive” mode. And sometimes my fingers will graze the multi-function bar and end up jacking up my ISO to 25600 or something crazy and my photos will be totally overexposed and ruined, which I won’t find out until later because I’m not always checking my images at a fast-paced event like a wedding. It’s caused me a handful of issues that I never ran into with my Canon 6D or 5D Mark II. But if you’re not in fast-paced shooting situations, then I think it could be a great camera because it does have so many customization options. And while the Canon 5D Mark IV also has a touch-screen, I find it to be much less sensitive. I tend to avoid using the touch-screen at all and just use the buttons to click through the setting options.

I find myself shooting through the viewfinder with my 5D Mark IV, but holding my EOS R out in front of me and using the touch-screen to focus and take photos. If you’re not used to shooting through a viewfinder though, then the EOS R might be an easier switch for you than the 5D Mark IV!

I also just might be too old-school for the modern touch-screen and customization of the EOS R. I get frustrated with it because it’s not like the cameras I “grew up” on. It doesn’t feel intuitive and natural to me. My husband thinks maybe I just haven’t spent enough time attempting to customize it to my liking and he might be right. I’m very impatient when it comes to things like that so perhaps I’ll mess with those settings one more time. BUT, the good news about the EOS R is that I haven’t been able to beat the beauty of the images that it takes with my 50mm L lens, so it’s been impossible to justify getting rid of it.


THE CANON EOS R vs. CANON 6D vs. CANON 5D MARK IV

In comparison to my Canon 6D, which I was using for years as my main camera, the EOS R is significantly sharper and does much, much better in low-light situations. After shooting with the EOS R at a wedding, I would never go back to using the Canon 6D. The 6D is very soft, especially with low-light images, and can work quite slowly when it’s having trouble in a lighting situation. I never upgraded to the Canon 6D Mark II though, so I’m not sure how it compares to that one. However, it does seem that the mirrorless line just produces sharper images overall. Even in comparison to my Canon 5D Mark IV, which is my current main camera, I still find the EOS R images to be sharper. They are pretty incredible, if I’m being honest. However, as I’ve mentioned, I missed the way the Canon 5D Mark II and the Canon 6D felt in my hands, so I ended up upgrading to the Canon 5D Mark IV. You can read more about my thoughts on the Canon 5D Mark IV here, if you’d like!

The Canon 6D is significantly cheaper than any of the cameras on this list though and I’ll always recommend the Canon 6D or Canon 6D Mark II to beginners because they still produce amazing images that will impress your friends and family. Even my very first DSLR, the Canon 5D Mark II which I just recently sold, is a great option for beginners. It’s a pro-level camera that you can get at a super affordable price now because it’s a bit on the older side. I also truly believe that you don’t have to have an incredible camera to be an incredible photographer. I think it’s entirely possible to create award-winning photos with cheaper cameras. There’s no shame in that game. In fact, my favorite camera of all time is the Holga, a $50 toy camera that hardly has any features at all!


FINAL THOUGHTS

Overall, I personally place the Canon 5D Mark IV above the EOS R due to lens pairing and intuitiveness, which makes sense because it is more expensive and you’ll get more bang for your buck. However, the EOS R places above the Canon 6D and Canon 5D Mark II for me. The EOS R could easily be the number one camera in a photographer’s bag, it really just depends on your personal photography style. If you love super sharp images and tend to lean towards Sony & Nikon images, you might LOVE the EOS R. Canon’s mirrorless cameras are definitely fighting for a spot up there with those other brands. Also, it’s important to share that before I bought the 5D Mark IV, I considered selling ALL of my Canon gear and switching entirely to a new brand. I watched YouTube videos for days, comparing pricing, battery life, camera weight, features, video modes and lens options. I was itching for something new in my life and I truly considered this major life change! But at the end of the day, after making massive pro/con lists and considering every option, Canon kept winning for me. I just LOVE how Canon’s images look and it just feels so ME. Many of the other cameras in my price point were much heavier, or the battery life wasn’t as good, or they didn’t do multiple exposures. Some of those things are deal-breakers for me.

I guess I’m just a zoom lens Canon girlie and there’s not much I can do about it! I’ve supported myself entirely on photography for the last 12 years and I definitely attribute some of that success to Canon. They produce cameras that offer professional-quality images and are actually affordable, and it’s always been that way. Some of these other brands have cameras that just seem overpriced to me. The fact that you can buy a Canon 6D Mark II for $1200 is pretty amazing. Pair that with a Canon 50mm f/1.4 lens for only $400, and you’ve got yourself an affordable camera set-up to start a photography business. That’s a much cheaper investment that many other businesses require! And if you’re willing to buy gently used gear from KEH Camera or eBay, you can save quite a bit of money that way too! Just make sure if you’re using eBay that you buy from a reputable sellers with lots of reviews!

So, while the EOS R isn’t my TOP camera, I’d still recommend it to anyone looking for a sharp, modern camera with incredible low-light capabilities, especially if they aren’t willing to shell out the $2300 for the 5D Mark IV body alone. For that same price, you can get a body AND a lens with the EOS R on Amazon. When comparing the EOS R to other Canon cameras within a similar pricepoint like the Canon 6D Mark II, I’d recommend the EOS R. But you will find that the 6D is the cheapest of the bunch. The original 6D was actually my main camera for many years and I photographed dozens of weddings and fashion shoots with it. It’s not a bad camera by any means and is great if you’re working with a tight budget!

I hope that this post has helped you determine which camera to go with! You can also watch my unboxing of the EOS R on my YouTube channel here! You honestly can’t go wrong with any of these cameras and all of them have been majorly helpful for my business over the years.

If you found this post helpful or if you’d like to see more of my work, I’d love it if you considered signing up for my Patreon! For as little as $1 a month, you’ll get early access to all of my YouTube videos, plus tons of photos that I don’t post anywhere else. Depending on which tier you choose, you could also receive seasonal prints and/or discounts! I always use all of the proceeds towards cameras, film & processing. Find out more here!

Feel free to leave any questions/comments below. Thanks so much for stopping by! You can also check out my Amazon storefront for more camera/film recommendations. :) Have a lovely day!

-Myles Katherine


(By using the links and/or codes below it supports Myles Katherine Photography. We may get a small kick back by you doing so.)

WHERE TO BUY

CANON EOS R

Amazon

KEH Camera (used)

eBay (used)

CANON 5D MARK IV

Amazon

KEH Camera (used)

eBay (used)

CANON 6D MARK II

Amazon

KEH Camera (used)

eBay (used)

CANON 24-70mm f/2.8 L Lens (my main lens)

Amazon

KEH Camera (used)

eBay (used)

CANON 50mm f/1.2L Lens (the lens I use with my EOS R)

Amazon

KEH Camera (used)

eBay (used)

CANON 50mm f/1.4 Lens (a great affordable fixed lens option)

Amazon

KEH Camera (used)

CANON 17-40MM F/4 LENS (a great, affordable zoom lens option)

Amazon

KEH Camera (used)


SAMPLE PHOTOS

(click to enlarge images)

(Canon EOS R with Canon 24-70mm f/2.8L Lens)

(Canon EOS R with Canon 17-40mm f/4 Lens)

(Canon EOS R with Canon 50mm f/1.2L Lens)




Canon EF 50mm f/1.2L USM Review by a Full-time Photographer | Is it Worth the Price?

(By using the links and/or codes below it supports Myles Katherine Photography. We may get a small kick back by you doing so.)

IS THE CANON 50MM 1.2L USM LENS WORTH THE PRICE?


You all know that the Canon EF 24-70mm f/2.8L II USM is the one lens I can’t live without. But if someone were to ask me, “Which lens takes the most beautiful photos?” it would be the Canon EF 50mm f/1.2L USM. I wanted to share a few of the reasons that this lens is so special, because if I wasn’t such a zoom lens girlie, this one would be my #1. It’s a truly incredible, versatile lens with amazing low-light capabilities and stunning bokeh. I’ll dive more into the details below, but I’m sure you can already tell this review is definitely a rave!


  1. IT’S THE BEST LENS FOR LOW LIGHT IN ITS CATEGORY

With a 1.2 ultra-wide aperture, you can’t get any better than that. As a wedding photographer, this lens has saved me multiple times in low-light situations. It can find and pull light from any situation, even when there isn’t any! Once the sun goes down at a wedding, I typically pop on a flash (I use the Canon Speedlite 580EX II and/or the Speedlite 430EX II) to use with my zoom lens on my Canon 5d Mark IV, and then I’ll use my Canon EF 50mm f/1.2L USM with my Canon EOS R because it doesn’t need a flash! Having that blend of flash photos with naturally lit photos gives my photos variety for my client. This combination has become my go-to for weddings. It’s the best low-light set-up I’ve ever had. I actually kind of hate using my 24-70mm with the EOS R because I find the photos to look a little too sharp and digitized. It’s hard to explain, but the softness that comes along with the 1.2L lens when you’re shooting with the aperture wide-open just seems to work perfectly with the natural sharpness of the EOS R.

2. IT TAKES ABSOLUTELY BEAUTIFUL PORTRAITS

If you’re a portrait photographer, you need this lens. With the beautiful bokeh that this lens is capable of, you can create the most dreamy, emotive portraits. When I take my wedding couples out into a field or up on a hillside for portraits, I focus on using this lens for close-up portraits and I use my zoom lens for wider shots. Beginner photographers always ask me, “But how do I get that blurry, dreamy background in my photos that I see on Pinterest?” The answer is, this lens! Now, it’s definitely not a cheap lens at $1399, but I promise you it’s worth every penny. If you’re really on a budget, I recommend buying a used version from KEH Camera or eBay (just make sure you’re buying from a reputable seller on eBay with great reviews)! And just between you and I, the Canon EF 50mm f/1.4 USM lens is very similar, but substantially cheaper. It’s a great starter lens and will get you super excited to eventually upgrade to the f/1.2L lens. Sometimes, I even find myself missing my 50mm f/1.4 lens because I captured some incredible photos with it. But I know the 1.2L lens is much better in many ways, but still. Something about that f/1.4 lens was special! And it’s amazingly only $400!!! You can find it on Amazon here!

3. IT’S SURPRISINGLY VERSATILE

While it is a fixed focal length which can be limiting, in my opinion 50mm is the perfect length for versatility. I used to own the Canon 85mm f/1.2L lens, which is an incredible portrait lens (and I was so sad to sell it!), but I found it to be a bit too zoomed in for my liking. I noticed myself having to back up far too often to get the shot that I wanted. It was amazing for headshots, but that was about it so I ended up selling it, sadly. 50mm is closer to what your eye naturally sees, so it’s just a bit more intuitive. Plus, it’s just wide enough to capture a small group of people as well, so for that reason, it’s also ideal for weddings. You have to be quick on your feet and ready for anything at a wedding, and I find the 50mm to work perfectly as a designated portrait lens that’s also capable of more complex situations. I’ve spent the last 10 years perfecting my 2-camera wedding set-up and I couldn’t do it with the 50mm f/1.2L. I’ve even tried a 35mm fixed focal length, but it didn’t give that same dreamy, portrait feeling that I’m always looking for when it comes to photographing the couple. And when I needed a 35mm vibe, I would just use my 24-70 mm zoom lens to get wider shots.

4. IT’S A GREAT EVERYDAY LENS

You can really use this lens for any kind of photo shoot that you’re asked to do. I’ve used it for events, musicians, portraits, weddings, fashion, food photography… the list goes on. It comes with me to every shoot because this is really the lens you need to impress your clients. Sometimes with a zoom lens, it can be hard to create those expensive-looking photos since you’re limited by the aperture of f/2.8L. If you shoot with the wide open f/1.2 aperture on the 50mm, you can create some images that will truly wow your clients. It makes everyone look beautiful and gorgeous, and it doesn’t distort features in the way that a zoom lens can. I tend to shoot closer to the f/1.4-2.0 range because sometimes the f/1.2 can be a bit too soft. However, if that’s what you’re going for, you’ll love this lens.

5. FOR THE PRICE, IT’S AN INCREDIBLE DEAL!

When this lens first came out, the original RRP was $2499. With the introduction of the new RF line of lenses, the price of L series lenses has gone down quite a bit. This is great news because $1399 is actually an amazing price for this lens. While the new RF lenses are supposed to be incredible, the RF 50mm 1.2L is substantially more expensive at $2299 (almost $1000 more)! Not to mention, if you are shooting with a Canon camera with an EF mount (like the 5d Mark IV), then you’ll have to buy an adapter for the RF lens, which is another $129. Plus, there are so many options out there for buying used gear. For expensive gear, I nearly always buy used to save a few hundred dollars. However, if you have the money to invest in a new lens, it’s always worth it. You can go into it knowing that you’ll have years of shooting with it without a problem. And if someone dropped it or got it wet without telling you before you bought it, you wouldn’t have to pay the consequences when suddenly the autofocus or other mechanisms within the lens stop working and you end up spending $500 for Canon to repair it.

SO, IS THE CANON 50MM F1.2L WORTH THE PRICE?!

I’ll always have to say yes on this one. Especially because there are options out there to buy it a little bit cheaper if you’re on a budget. I would honestly die for this lens because the photos it takes are so dang gorgeous. Is that going a bit too far? Maybe! But it’s hard to put into words just how magical this lens is! My sister-in-law pretty much shoots exclusively with the 50mm 1.2L and her work just always looks so beautiful. It’s a great lens for creativity too, as the focal length adds a bit of surreality to your images. While 35mm is technically what your eye actually sees, 50mm is a tiny bit more zoomed in, adding a level of intimacy that we aren’t used to seeing with the naked eye. But it’s not so zoomed in that it’s difficult to work with, like the 85mm f/1.2L lens. It’s a perfect lens for a beginning professional because it automatically takes your photos to a new level. I’ve included a ton of sample photos below so you can decide if this lens is for you!

WHERE TO BUY

If you do decide to take the plunge, here are some options for where to pick one up:

CANON 50mm 1.2L USM Lens


Amazon
KEH Camera (for used options)
eBay (for used options)

CANON 50mm 1.4L USM Lens

(the budget option that is also a great lens)

Amazon

CANON RF 50mm 1.2L USM Lens

(if you want to splurge and/or prefer an RF Mount Lens)

Amazon

CANON EF-EOS R Mount Adapter

(I use this to attach my 50mm 1.2L to my Canon EOS R)

Amazon

Hope that helps! Feel free to leave any questions/comments below. Best of luck in your photography journey! Thanks so much for stopping by! And don’t forget to stop by my Amazon storefront for more camera/film recommendations. :)

<3 Myles Katherine






Review of the Diana F+ with Sample Photos using Lomography LomoChrome Purple and LomoChrome Turquoise in St. Lucia! | Teaming Up with Lomography to Save 120 film!

 

(By using the links and/or codes below it supports Myles Katherine Photography. We may get a small kick back by you doing so.)

When Lomography contacted me about a collaboration with them to help save 120 film, I was more than happy to contribute in any way that I could! I didn’t realize 120 film was endangered, so it was definitely a bummer to hear that. 120 film is a huge part of my life as a photographer and I can’t imagine a world without it, to be honest! You all know that I’m obsessed with the Holga camera and that I specifically like shooting square format 120 film. Well, Lomography has the Diana F+, which I would consider a sort of sister camera to the Holga. Most photographers are either Team Holga or Team Diana. I’ve actually had my Diana F+ for a least a decade, but I had a 35mm back on it for years, to sort of differentiate it from my Holga. But it ended up sitting on a shelf for the last handful of years (which I will say, it’s very cute up on a shelf)! Lomography was wondering if I’d be willing to shoot their 120 LomoChrome Purple and LomoChrome Turquoise film with the Diana F+, and I was so excited! As much as I love the Holga, I’ve been interested in trying out some other 120 cameras lately just for something new and fresh. I switched the 35mm back on the Diana F+ to the 120 back and took it with me on a recent trip to St. Lucia with my family! You can also check out my YouTube video about the Diana F+ in St. Lucia here!

A BRIEF HISTORY OF THE DIANA F+

The original Diana camera was produced in the 1960s but only lasted until about the 1970s due to newer cameras coming into the market. It was an affordable box camera with limited controls and was really more of a novelty or gift item. But it became a bit of a cult classic when photographers like Mark Sink began using it to capture images of celebrities like Andy Warhol in the 1980s! Lomography decided to bring it back and created their own version, the Diana F+, in 2007. The Diana F+ is known for it’s lo-fi artistic, soft focus and vignetted corners that add a dreamy, surreal quality to the images.

MAIN FEATURES

The Diana F+ is super simple and easy to use once you get the hang of it. As with all toy cameras, they are very lightweight, often have a plastic lens and body and aren’t particularly sturdy. Toy cameras are typically known for their light leaks, loose-winding film rolls and blurred images. However, all you need is a bit of patience and you’ll discover the magic of the camera! The Diana F+ has four aperture settings (f8, f11, f16, pinhole), two shutter speed options (1/60, Bulb) an optional flash and a tripod mount. My favorite feature, of course, is that it can do multiple exposures! Since it requires manual film-advance, you can take as many photos over top of each other as you’d like before advancing to the next frame. Part of the fun of toy cameras though, is that you often forget whether you’ve advanced the film or not. This can end up with unexpected double exposures, which personally I’m always here for.

Diana F+ // Double Exposure // Lomography LomoChrome Purple Film

PROS

Considering the Holga is my favorite camera in the world, the Diana F+ is essentially right up there with it. The only problem is that I haven’t given the Diana F+ a fair shot! I sort of attached myself to the Holga and didn’t look back. But after trying out a few film rolls for this collaboration with Lomography, I have a newfound love for it and can’t wait to bring it with me on my next trip! I’ll be heading to Portugal in May and I’m hoping I can squeeze it in my bag!

I consider the fact that it is lightweight a huge pro for me. I travel a lot and I’m always looking for cameras that are light and easy to carry around. The Diana F+ fits easily into my bag and doesn’t weight it down. I also love that it has an interchangeable back so that I can switch to 35mm whenever I get tired of 120. Or if I have my Holga set up with 120 film, I can go with 35mm in the Diana F+ to keep things interesting. The 35mm back might be hard to find these days, though you may be able to find them on eBay here if they’re available. But the Diana Mini takes 35mm film and is super fun and cute! There’s also a Diana Instant (Fujifilm Instant Square film) and a Diana Baby 110 if you prefer those film formats instead! You can also try out the Diana Instant Deluxe Kit which comes with all sorts of fun lenses and filters to get experimental with. I bought one of their older deluxe kits that featured the 120 version of the camera with a 35mm back when I purchased my Diana F+ years ago and it was totally worth it. I personally love the Fisheye lens! You can try to find one of those older deluxe kits on eBay here.

Diana F+ Fisheye Lens // Lomography LomoChrome Purple Film

In my opinion, it’s everything about this camera that makes it great. The soft, dreamy focus and blurry vignetting. The cute, shiny, colorful housing and fun lens options. The multiple exposure and pinhole features. The adorable flash and gel filters. The lightweight body and various options for film format (35 mm, 120, 110 and instant film). Ugh, it’s just everything all at once and I love it.

Diana F+ with 35mm back // Double Exposure

Diana F+ with 35mm back

Diana F+ with 35mm back // Double Exposure


CONS

For some people, toy cameras in general just might not be their thing. They aren’t super reliable because they’re unpredictable and finicky. But that’s kind of the fun of the whole thing! Some of the main issues of these cameras include light leaks, loose film rolls and blurry images. To avoid light leaks, always make sure to load and unload your film in a dark place and definitely not in direct sunlight (unless you’re like me and enjoy taking that risk to see what happens)!

Diana F+ Pinhole Setting // Light Leaked // Lomography LomoChrome Turquoise Film

For the loose film rolls, that’s sort of part of the game. If you load your film to be quite tight in the first place, it tends to help. And when you’re advancing to the next frame, it’s best to wind somewhat slowly so that it winds tightly. With the Holga, I’ve learned to insert a small piece of thick paper underneath the take-up spool to help. I haven’t quite figured out how to manage it with the Diana F+ yet, but I’ll let you know when I do!

To prevent blurry images, make sure you’re shooting in bright sunlight and that you hold the camera as still as possible. You can also use a 400 ISO film to bring a little more light into your images. However, just know that the higher ISO you go, the more grainy your film will be. I always take a 100 ISO film if I’m headed to the beach or a bright location, and a 400 ISO film if it’s a cloudy day or if I’ll be shooting indoors at all. You can also use the flash to help prevent image blur and to brighten your images if you’re in a dark environment.

Diana F+ 120 // Neopan Acros 100 // Flash // Fisheye Lens

Diana F+ 120 // Neopan Acros 100 // Flash // Fisheye Lens

FINAL THOUGHTS

One of the best things about the Diana F+ is that you can be a beginner, amateur or professional photographer and the camera is still just as much of a mystery to use. It takes patience, creativity and an open mind to experience it’s magic. But believe me, it’s worth it. My favorite moment is life is when I’ve created an incredible multiple exposure with the Diana F+ or Holga camera. It’s an experience that I believe every photographer at every level should have. It forces you to be creative and try new things.

For my collaboration with Lomography, they sent me a roll of LomoChrome Purple and LomoChrome Turquoise to try out with the Diana F+. I’ve included all of my favorite photos from my trip below using these films, as well as a handful of my fav images I’ve taken in the past with the Diana F+.

WHERE TO BUY

Diana F+ 120 camera on Amazon

Diana Mini 35 mm camera with flash on Amazon

Diana F+ Instant Square Deluxe Kit on Amazon

Diana Baby 110 on eBay

FILM RECOMMENDATIONS

Lomography LomoChrome Purple Film (35mm & 120)

Lomography LomoChrome Turquoise Film (35mm & 120)

Lomography Color 400 120 film on Amazon

Kodak Gold 200 120 film on Amazon

Thanks so much for stopping by! And don’t forget to stop by my Amazon storefront for more camera/film recommendations. :) Have a lovely day!

<3 Myles Katherine