120 Film on a Budget | 5 of my Favorite Affordable 120 Medium Format Film Rolls

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2. LOMOGRAPHY COLOR 100 OR 400

Lomography Color 120 films comes in two different film speeds, 100 and 400. I typically have both of these in my arsenal because it’s super saturated and fun! I find it to be bright and colorful, which is very helpful when shooting with cameras like a Holga or Diana F+. Toy cameras always benefit from a little extra color and sharpness. The 100 speed film is going to be a bit sharper, but just remember that you’ll need more light. I recommend only shooting the 100 speed film in bright sunlight or with a bright flash. The 400 speed film is more versatile and better for cloudy days or lower light. If you’re going to be in a dark environment and really need some leeway, they also have an 800 ISO film. I don’t typically go for 800 speed films because it’s just a bit too grainy for me. I shoot with a lot of toy cameras and I’m already fighting to make those images as sharp as possible so the extra grain doesn’t tend to help! You’ll notice there isn’t a huge difference in the 100 and 400 ISO films, so I included samples of both below.

WHERE TO BUY

LOMOGRAPHY COLOR 100 120 FILM

KEH Camera

LOMOGRAPHY COLOR 400 120 FILM

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3. LOMOGRAPHY LOMOCHROME METROPOLIS 100-400

Lomography Lomochrome Metropolis is more of a funky, unusual film that might be fun if you’re looking for something different! It’s known for it’s slightly desaturated look and strong contrast. I love that it has a vintage vibe to it that works well with toy cameras. I’ve only used this film a few times so far but I’m excited to try it with some of my other medium format cameras. It has an extended ISO range of 100-400 so you can work with this film in lots of different kinds of conditions to experience different results!

WHERE TO BUY

4. LOMOGRAPHY LADY GREY BLACK & WHITE FILM

I had to throw in a few black and white films because that’s what I truly love the most! I don’t shoot black and white as often anymore because I like to have the option of color and black and white. I can always turn my color photos black and white in post-processing, but it doesn’t work the other way around! I find Lady Grey to be very retro and aged-looking, which I think is perfect for a black and white film. It has quite a bit of graininess to it, but I don’t mind grain as much with black and white photography. It adds character and emotion, in my opinion!

WHERE TO BUY

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5. LOMOGRAPHY BLACK AND WHITE POTSDAM KINO B&W 120 ISO 100

Potsdam Kino 100 is another black and white film by Lomography, and this one has more of an overall grey tone in the highlights, causing it to seem more muted. I find it to have more of a cinematic quality to it though, which is so beautiful and dreamy! I found it just a little harder to get that stark contrast and those extra deep blacks than with the Lady Grey film.

WHERE TO BUY

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If you found this post helpful or if you’d like to see more of my work, I’d love it if you considered signing up for my Patreon! For as little as $1 a month, you’ll get early access to all of my YouTube videos, plus tons of photos that I don’t post anywhere else. Depending on which tier you choose, you could also receive seasonal prints and/or discounts! I always use all of the proceeds towards cameras, film & processing. Find out more here!

If you have any questions, I’m always happy to help! You can contact me here, or leave a comment below! I’d love to know what your favorite 120 films are! Thanks so much for stopping by! You can also check out my Amazon storefront for more camera/film recommendations. :) Have a lovely day!

<3 Myles Katherine

Kodak Duaflex 620 Camera Review with Sample Photos in Portugal | How to Use a 620 Film Camera and Where to Buy Film

August 4, 2024

(By using the links and/or codes below it supports Myles Katherine Photography. We may get a small kick back by you doing so.)

The Kodak Duaflex is so CUTE. It’s one of those cameras that deserves to be displayed on a shelf and is a definite conversation-starter. It is a 620 medium format camera, originally produced in 1947 with continued production into the early 1960s. It’s a Twin-Lens Reflex camera, meaning it works off of two lenses — one for the viewfinder and one for taking the photograph. One of the key features of the Kodak Duaflex is the waist-level viewfinder, so you look down into the top of the camera to take a photograph. This type of camera takes some getting used to, but once you get the hang of it, it’s such a fun and unique experience. Plus, it just feels good to reconnect with the old-school style of photography.

To be honest, I have no idea where my Kodak Duaflex came from. As a photographer for over a decade, I’ve become the friend and family member that everyone donates their cameras to, but I’m more than okay with that! My collection is constantly growing and it allows me to bring different cameras with me on every trip I take!

For my recent trip to Portugal, I grabbed the Kodak Duaflex off my shelf, tested the shutter, made sure I could open it up to put film in, and then tossed it in my suitcase! I had never used this camera before, so it was a bit of a risk hauling it all the way to Portugal. But at this point, I’ve realized these old, vintage cameras are surprisingly resilient. The more simple the camera, the longer they seem to last without issues. As long as the shutter works, you’re pretty much golden!

I’m so excited that my first roll of film actually turned out! I wanted to share a few of the pros and cons that I’ve experienced so far with this camera, and if you’d like to see how my photographs turned out, you can check out my YouTube video about the Kodak Duaflex, or you can scroll down to the bottom of this post!

PROS

I know how intimidating these cameras can be because of their age. They almost seem foreign to us because of how used to the digital age we are. But what’s hilarious about that is that these cameras are SO BASIC. They are about as simple as you can get. They are essentially a box with a hole in it. There are absolutely no settings other than the “I” or the “B” mode, which stands for “instantaneous” and “bulb”. The Instantaneous mode is about 1/30th of a second shutter speed, and the Bulb mode is for as long as you hold the shutter open. The Bulb mode is typically used for low-light situations or for capturing light trails and things of that nature. For this type of camera, I mostly stick to the “I” mode because the 1/30th of a second is slow enough for me! Personally, the simplicity of this camera is definitely a pro for me. There are no complicated settings or confusing buttons.

Another pro of this camera is the affordability. You can find them for about $15-35 on eBay or KEH Camera, or you might just happen to stumble across one in a thrift store if you’re lucky! They also tend to be in relatively good condition for their age because there is no battery compartment or anything for corrosion to occur.

I’m also pleasantly surprised by the sharpness of this camera! Not too long ago, I reviewed the Kodak Brownie Hawkeye. While I loved the images, they weren’t as sharp as I’d hoped they’d be. But I think my lens was also a little foggy. My images from the Kodak Duaflex though, were crisp and stunning! I truly couldn’t believe it. Especially with such a slow shutter speed. I was expecting them to be blurry and show some motion. It is definitely important to stand as still as possible when shooting with this camera though to avoid shaking the camera!

CONS

One of the main disadvantages of this camera is that 620 film isn’t produced anymore. However, you can purchase any 120 film, a few old 620 film spools and roll it onto the 620 film spool yourself! The film is the same size but the spools are different. If you don’t want to take the risk though, you can also purchase pre-spooled 620 film from the Film Photography Project. They have a really fun starter pack that I purchased, which contained the Kodak 100 TMAX black and white film that I used for my first roll of film with the Duaflex.

The slow shutter speed (1/30th of a second) can be a bit of a pain to work with. It’s nearly impossible to stand still enough for a crystal clear photo, but I literally just hold my breath as I take the photo to avoid motion blur! I will also set the camera on a hard surface and push the shutter gently, which also helps with steadiness. There’s also a tripod socket on the bottom of the camera if you just don’t trust yourself!

Another thing I noticed from this first roll of film is that the focusing distance is quite large. Apparently it is about 3 feet to infinity, which is much further than the majority of my cameras. So I was a little surprised by the portraits we took. In the moment. I felt that it was far enough away that it would be in focus, but when I got the images back, you’ll see that your subject has to be pretty far away for them to be in focus. This isn’t a huge deal and I don’t really mind it, but it will take some time to get used to that!

FINAL THOUGHTS

I’m so incredibly happy that I took this camera with me to Portugal. I know I’ll treasure these photos forever. The first roll of film with each of my cameras is very special to me because I’m truly just having fun trying to figure out if the camera even works. It’s an experiment that keeps me interested in photography. And getting my film back from the lab is always such an exciting day! I’ll definitely be taking this camera with me on future trips, especially if we’re comparing it to the Kodak Brownie Hawkeye. This camera is much sharper and I’m just thrilled with the images. I want to try out more multiple exposures and portraits with it in the future, too. Now that I’m aware of the focusing distance, I’ll be able to get a bit more creative.

If you have any questions, I’m always happy to help! You can contact me here, or leave a comment below! I’d love to know your thoughts on the Kodak Duaflex! Thanks so much for stopping by! You can also check out my Amazon storefront for more camera/film recommendations. :) Have a lovely day!

WHERE TO BUY THE KODAK DUAFLEX CAMERA:

Kodak TMAX 100 by the Film Photography Project

KEH Camera

FILM I USED:

620 take-up spools if you want to spool your 120 film onto a 620 spool yourself:

Kodak 100 TMax 120 Film (what I used for the images below)

120 film I recommend if you’re pre-spooling yourself:

Kodak Portra 160 120 Film

Fujifilm Neopan Acros 100 120 Film

Lomography Color 400 120 Film

<3 Myles Katherine

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Harman Phoenix 200 Film Review with Sample Photos Using a Minolta Hi-Matic AF2 35mm Camera in Portugal

July 28, 2024

(By using the links and/or codes below it supports Myles Katherine Photography. We may get a small kick back by you doing so.)

When my sister-in-law surprised me with a roll of Harman Phoenix 200, I was so excited because I’d honestly never heard of it before! And I spend a LOT of time scrolling through shopping pages of film, deciding what to try out next. Not to mention, 200-400 is my favorite range of ISO when it comes to film, so I knew it was going to be a fun test. I brought the film roll with me on my recent trip to Portugal and tried it out with my Minolta Hi-Matic AF2. I actually just posted a full review of this camera on my YouTube channel and blog, so make sure to check those out!

I wanted to share my personal thoughts on the Harman Phoenix 200 film and share my full roll of images with you, so you can decide for yourself if you’d want to give it a shot!

I found the film to be super saturated and contrasty, which a LOT of film shooters are always on the hunt for. It definitely has that retro film vibe and is very grainy, which makes the images look unmistakably film-y. I actually found myself removing contrast in post-processing, which was definitely a different experience for me! I’m usually adding contrast and saturation to my film scans!

I also shot the majority of the film on the wrong ISO setting on my camera (400 instead of 200), which I think might have increased the grain and contrast effects on the film. I’m hoping to try this film out again soon and see if that made a impact on my final results! I found the film to do surprisingly well in low-light for a 200 speed film. It’s also nice that the Minolta Hi-Matic AF2 has an f/2.8 lens, which probably also helped me out in that department.

And of course, I tried out a few multiple exposures by rewinding the film a little and creating some overlapping images. If you’ve been following me for a while, you know it’s a must for me to try creating multiple exposures with every camera I’m reviewing!

Overall, I found Harman Phoenix 200 to be a very unique film. I’m not used to such high contrast and it’s not necessarily my style, but it was a fun challenge for me. I think I’ll try it out one more time before deciding on my final verdict. But I tend to lean towards less grain and contrast, so that I can add it in later if I choose to. I do think that this film is eye-catching and undoubtedly film, which is great for the Gen Z vibes that everyone seems to love these days. As a millennial, I’m not sure it fits my aesthetic, but to each their own! I’m mostly just thrilled that my photos turned out at all, because I had never used the Minolta Hi-Matic AF2 before and the camera was half-broken when I brought it with me to Portugal. I know that these photos are going to remain super special to me, because my first rolls of film with new cameras always stick out in my mind. Especially if I’m traveling in a new country.

I’d love to know your thoughts on the film! So far, I’ve gotten great feedback on these images and I’m learning that the majority of the world loves high saturation and contrast! I guess I’m just a weirdo!

Make sure to check out my other blog post, The Best Color Film for 35 mm Cameras if you’re on the hunt for other 35 mm films to try out.

If you have any questions, I’m always happy to help! You can contact me here, or leave a comment below! Thanks so much for stopping by! You can also check out my Amazon storefront for more camera/film recommendations. :) Have a lovely day!

WHERE TO BUY HARMAN PHOENIX 200 FILM

WHERE TO BUY THE MINOLTA HI-MATIC AF2: